CONTEMPORARY MUSIC CONCERT JAZZ CONCERT|CLASSICAL CONCERT|CONCERT

Isfar Sarabski Trio, Shahriyar Imanov e o jazz do Azerbaijão

Se os acordes fazem parte do vocabulário musical comum ao ocidente nos últimos quatro séculos, a criação dessa “afinação” primeira é característica fundamental nas práticas orientais. Nascido há 28 anos no Azerbaijão, à leste da Turquia e ao sul da Rússia, Isfar teve estudos tanto em seu país natal quanto nos EUA. E os elementos cruzados dessas culturas são hoje as marcas de sua música.
O universo escolhido para tal encontro é o do que costumamos chamar de jazz, neste caso com piano, contrabaixo e bateria, unidos na busca por espaços abertos para a invenção musical no calor da hora.
Full concert: SESC JAZZ 2018 - Isfar Sarabski Trio feat. Shahriyar Imanov
Isfar Sarabski

Philip Clemo 'Dream Maps', jazzahesd 2018
“mesmerising”, “startlingly original”, “beautiful, transcendent”
«завораживающий», «потрясающе оригинальный», «красивый, трансцендентный»


Philip Clemo 'Dream Maps', jazzahesd 2018, Bremen, Germany on 20th April 2018


Philip Clemo is a UK-based artist working across composition, film and sound design. His work explores perception, ambiguity and landscape and has been shown around the world including at the V&A Museum and Eden Project in the UK and at the Cannes film festival. His creative output has been described as “mesmerising” **** (The Times, UK), “startlingly original” **** (The Observer, UK), “intricate, immersive” (Mojo) and “beautiful, transcendent” (BBC). (www.philipclemo.com)
Philip Clemo’s unique, multi-layered soundscapes balance precariously on a cusp where many different polarities meet: the figurative and the abstract, the acoustic and the electronic, classical, jazz, and rock, the traditional and the avant-garde, the composed and the improvised. His work, both live and over the course of four CDs, has been widely praised in the mainstream and music press, with adjectives like “beautiful,” “transcendent,” “mesmerising,” “indefinable,” “hypnotic,” “addictive,” and so on. (Paul Tingen, INTERVIEW WITH PHILIP CLEMO)
Уникальные многослойные саундскейпы Филиппа Клемо балансируют на пороге, где встречаются разные полярности: образный и абстрактный, акустический и электронный, классический, джазовый и роковый, традиционный и авангардный, композиционный и импровизационный. Его работа, как живая, так и в течение четырех компакт-дисков, получила широкое признание в основной и музыкальной прессе с прилагательными, такими как «красивый», «трансцендентный», «завораживающий», «неопределимый», «гипнотический», «захватывающий», и так далее. (Paul Tingen, INTERVIEW WITH PHILIP CLEMO)
Philip Clemo









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